{"id":613,"date":"2012-06-27T12:02:26","date_gmt":"2012-06-27T11:02:26","guid":{"rendered":"http:\/\/www.thebluesguitarplayer.com\/?p=613"},"modified":"2012-06-27T12:28:39","modified_gmt":"2012-06-27T11:28:39","slug":"whats-an-8-bar-blues","status":"publish","type":"post","link":"http:\/\/www.thebluesguitarplayer.com\/?p=613","title":{"rendered":"What&#8217;s an 8 bar blues?"},"content":{"rendered":"<p>Not all blues is 12 bar blues!<\/p>\n<p>Typically the 8 bar pattern is 1 5 4 4 1 5 then a turnaround of 1 5<\/p>\n<p>If you are wondering what these numbers mean the simplest way to explain is to think of the 8 major tones in music\u00a0 CDEFGABC, then number them 1234 and so on&#8230;the pattern shown relates to the number of bars played using those chords corresponding with those tones.<\/p>\n<p>I&#8217;m probably not explaining it very well so let me show you.\u00a0If we play an 8 bar blues in A, for example, we can number the chords as A1 B2 C3 D4 E5 F6 G7 A8. So now our 8 bar blues pattern comprises 1 bar of A, followed by 1 bar of E followed by 1 bar of D and so on which we can rewrite as<\/p>\n<p>A E D D A E A E<\/p>\n<p>Here&#8217;s a famous\u00a0example of an 8 bar &#8211; Key to The Highway &#8211;\u00a0originally written and recorded by &#8216;William Charles Segar although Eric Clapton has pretty well made it his own, having done numerous versions including with BB King on the collaboration album &#8216;Riding With The King&#8217;<\/p>\n<p>see also &#8216;What is 16 bar blues?&#8217;<\/p>\n<p><iframe src=\"http:\/\/www.youtube.com\/embed\/RKbkDN-C4eY?rel=0\" frameborder=\"0\" width=\"420\" height=\"315\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Not all blues is 12 bar blues! Typically the 8 bar pattern is 1 5 4 4 1 5 then a turnaround of 1 5 If you are wondering what these numbers mean the simplest way to explain is to think of the 8 major tones in music\u00a0 CDEFGABC, then number them 1234 and so [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"pgc_meta":"","footnotes":""},"categories":[3,4],"tags":[],"_links":{"self":[{"href":"http:\/\/www.thebluesguitarplayer.com\/index.php?rest_route=\/wp\/v2\/posts\/613"}],"collection":[{"href":"http:\/\/www.thebluesguitarplayer.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.thebluesguitarplayer.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.thebluesguitarplayer.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.thebluesguitarplayer.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=613"}],"version-history":[{"count":4,"href":"http:\/\/www.thebluesguitarplayer.com\/index.php?rest_route=\/wp\/v2\/posts\/613\/revisions"}],"predecessor-version":[{"id":620,"href":"http:\/\/www.thebluesguitarplayer.com\/index.php?rest_route=\/wp\/v2\/posts\/613\/revisions\/620"}],"wp:attachment":[{"href":"http:\/\/www.thebluesguitarplayer.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=613"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.thebluesguitarplayer.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=613"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.thebluesguitarplayer.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=613"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}