{"id":665,"date":"2012-06-27T14:20:05","date_gmt":"2012-06-27T13:20:05","guid":{"rendered":"http:\/\/www.thebluesguitarplayer.com\/?p=665"},"modified":"2023-02-26T16:06:54","modified_gmt":"2023-02-26T16:06:54","slug":"john-lee-hooker-the-boogie-man-is-real","status":"publish","type":"post","link":"http:\/\/www.thebluesguitarplayer.com\/?p=665","title":{"rendered":"John Lee Hooker \u2013 The Boogie Man is Real!"},"content":{"rendered":"<p><span style=\"color: #000000;\">With a career spanning a good seven decades, John Lee Hooker is best known to fans as the master of boogie-woogie blues.<\/span><span style=\"font-size: small;\"><span style=\"color: #000000; font-family: Arial;\">\u00a0 <\/span><span style=\"color: #000000;\">His was a form of blues you could dance to, something you can\u2019t say about many of his contemporaries.<\/span><\/span><span style=\"font-size: small;\"><span style=\"color: #000000; font-family: Arial;\">\u00a0\u00a0 <\/span><span style=\"color: #000000;\">He preferred to keep things simple when playing the guitar, focusing on the rhythm and coming up with some of the catchiest blues songs ever recorded, including \u201cBoogie Chillen\u2019\u201d and \u201cBoom Boom\u201d, the latter of which made most famous by the Animals and the Yardbirds in the \u201860s.<\/span><\/span><span style=\"font-size: small;\"><span style=\"color: #000000;\"><span style=\"font-family: Arial;\">\u00a0 <\/span><\/span><\/span><\/p>\n<p><span style=\"color: #000000;\">Nobody knows for sure when Hooker was born \u2013 some sources state it was as early as 1915, others maintain it was as recent as 1923.<\/span><span style=\"font-size: small;\"><span style=\"color: #000000; font-family: Arial;\">\u00a0 <\/span><span style=\"color: #000000;\">Hooker\u2019s official website has his birth date listed as August 22, 1917, while the man himself claimed it was in 1920.<\/span><\/span><span style=\"font-size: small;\"><span style=\"color: #000000; font-family: Arial;\">\u00a0 <\/span><span style=\"color: #000000;\">He was raised by a poor, religious family of Mississippi sharecroppers, and it was Hooker\u2019s guitarist stepfather William Moore who got the young boy started on the path to becoming a bluesman.<\/span><\/span><span style=\"font-size: small;\"><span style=\"color: #000000; font-family: Arial;\">\u00a0 <\/span><span style=\"color: #000000;\">Moore\u2019s style was a basic one-chord<\/span><\/span><span style=\"font-size: small;\"><span style=\"color: #000000; font-family: Arial;\">\u00a0 <\/span><span style=\"color: #000000;\">blues not unlike many of the songs his stepson would crank out as an adult.<\/span><\/span><span style=\"font-size: small;\"><span style=\"color: #000000; font-family: Arial;\">\u00a0 <\/span><span style=\"color: #000000;\">At the age of 15, John Lee Hooker left home to become an itinerant bluesman, and hopping from city to city, hoping to catch that big break.<\/span><\/span><span style=\"font-size: small;\"><span style=\"color: #000000; font-family: Arial;\">\u00a0 <\/span><span style=\"color: #000000;\">That break would come in Detroit, where he teamed with business partner Bernie Besman.<\/span><\/span><span style=\"font-size: small;\"><span style=\"color: #000000; font-family: Arial;\">\u00a0 <\/span><span style=\"color: #000000;\">With Besman\u2019s help, Hooker recorded his first single in 1948 \u2013 \u201cSally Mae\u201d b\/w \u201cBoogie Chillen\u2019.\u201d<\/span><\/span><span style=\"font-size: small;\"><span style=\"color: #000000; font-family: Arial;\">\u00a0 <\/span><span style=\"color: #000000;\">This single was released under Los Angeles\u2019 Modern Records, and \u201cBoogie Chillen\u2019\u201d became Hooker\u2019s first #1 hit on the R&amp;B charts.<\/span><\/span><\/p>\n<p><span style=\"color: #000000;\">Another R&amp;B chart-topper would follow three years after the success of \u201cBoogie Chillen\u2019.\u201d<\/span><span style=\"font-size: small;\"><span style=\"color: #000000; font-family: Arial;\">\u00a0 <\/span><span style=\"color: #000000;\">\u201cI\u2019m in the Mood\u201d was also released under Modern Records, and became a #1 hit in 1951.<\/span><\/span><span style=\"font-size: small;\"><span style=\"color: #000000; font-family: Arial;\">\u00a0 <\/span><span style=\"color: #000000;\">Due to the horribly low wages African-American musicians would get at the time, Hooker would record for a variety of labels in the \u201850s using a variety of stage names, mostly slight twists on his given name.<\/span><\/span><span style=\"font-size: small;\"><span style=\"color: #000000; font-family: Arial;\">\u00a0 <\/span><span style=\"color: #000000;\">He finally settled down on Vee-Jay Records in 1955, where he would release even more eventual blues classics, including \u201cDimples\u201d, \u201cBaby Lee\u201d and \u201cBoom Boom.\u201d<\/span><\/span><span style=\"font-size: small;\"><span style=\"color: #000000; font-family: Arial;\">\u00a0 <\/span><span style=\"color: #000000;\">The Animals\u2019 cover of \u201cBoom Boom\u201d was a Top 50 single on the Billboard charts in 1964, and validated Hooker as an influence for younger musicians, including those (like the Animals) plying their trade across the pond.<\/span><\/span><\/p>\n<p><span style=\"color: #000000;\">Thanks to his growing list of connections in the world of popular music, Hooker collaborated with artists such as Canned Heat in 1970, the Blues Brothers (comedians Dan Aykroyd and John Belushi) at the dawn of the \u201880s and Carlos Santana and Bonnie Raitt in 1989.<\/span><span style=\"font-size: small;\"><span style=\"color: #000000; font-family: Arial;\">\u00a0 <\/span><span style=\"color: #000000;\">The latter collaboration resulted in a Grammy for Santana and Hooker, a long-overdue achievement for a man who had, at that point, been in the business for nearly 50 years.<\/span><\/span><span style=\"font-size: small;\"><span style=\"color: #000000;\"><span style=\"font-family: Arial;\">\u00a0 <\/span><\/span><\/span><\/p>\n<p><span style=\"color: #000000;\">Hooker spent most of his last years semi-retired from the music scene, though he did release four albums on Pointblank Records in the \u201890s.<\/span><span style=\"font-size: small;\"><span style=\"color: #000000; font-family: Arial;\">\u00a0 <\/span><span style=\"color: #000000;\">By this time he had earned enough to live comfortably, owning a few homes in California. <\/span><\/span><span style=\"font-size: small;\"><span style=\"color: #000000; font-family: Arial;\">\u00a0<\/span><span style=\"color: #000000;\">In 1991, Hooker was inducted into the Rock and Roll Hall of Fame.<\/span><\/span><span style=\"font-size: small;\"><span style=\"color: #000000; font-family: Arial;\">\u00a0 <\/span><span style=\"color: #000000;\">He had even appeared in a few television commercials, including one for Pepsi.<\/span><\/span><span style=\"font-size: small;\"><span style=\"color: #000000; font-family: Arial;\">\u00a0 <\/span><span style=\"color: #000000;\">Hooker passed away at the age of 83 on June 21, 2001, dying from natural causes.<\/span><\/span><span style=\"font-size: small;\"><span style=\"color: #000000; font-family: Arial;\">\u00a0 <\/span><span style=\"color: #000000;\">With a legion of artists covering his work and a status as an influential figure in both the blues and rock and roll, it\u2019s safe to say the Boogie Man had left the living world as a happy man. <\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>With a career spanning a good seven decades, John Lee Hooker is best known to fans as the master of boogie-woogie blues.\u00a0 His was a form of blues you could dance to, something you can\u2019t say about many of his contemporaries.\u00a0\u00a0 He preferred to keep things simple when playing the guitar, focusing on the rhythm [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1612,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"pgc_meta":"","footnotes":""},"categories":[26],"tags":[],"_links":{"self":[{"href":"http:\/\/www.thebluesguitarplayer.com\/index.php?rest_route=\/wp\/v2\/posts\/665"}],"collection":[{"href":"http:\/\/www.thebluesguitarplayer.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.thebluesguitarplayer.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.thebluesguitarplayer.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.thebluesguitarplayer.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=665"}],"version-history":[{"count":3,"href":"http:\/\/www.thebluesguitarplayer.com\/index.php?rest_route=\/wp\/v2\/posts\/665\/revisions"}],"predecessor-version":[{"id":668,"href":"http:\/\/www.thebluesguitarplayer.com\/index.php?rest_route=\/wp\/v2\/posts\/665\/revisions\/668"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.thebluesguitarplayer.com\/index.php?rest_route=\/wp\/v2\/media\/1612"}],"wp:attachment":[{"href":"http:\/\/www.thebluesguitarplayer.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=665"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.thebluesguitarplayer.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=665"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.thebluesguitarplayer.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=665"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}