{"id":976,"date":"2012-07-20T10:53:11","date_gmt":"2012-07-20T09:53:11","guid":{"rendered":"http:\/\/www.thebluesguitarplayer.com\/?p=976"},"modified":"2022-12-25T07:56:27","modified_gmt":"2022-12-25T07:56:27","slug":"gary-moore-remembering-northern-irelands-finest-blues-guitarist","status":"publish","type":"post","link":"http:\/\/www.thebluesguitarplayer.com\/?p=976","title":{"rendered":"Gary Moore \u2013 Remembering Northern Ireland\u2019s Finest Blues Guitarist"},"content":{"rendered":"<p><span style=\"color: #000000;\">It was a huge shock to blues and rock aficionados alike when Gary Moore passed away on February 6, 2011, following a devastating heart attack.<\/span><span style=\"font-size: small;\"><span style=\"color: #000000; font-family: Arial;\">\u00a0 <\/span><span style=\"color: #000000;\">Despite not receiving that much fanfare among American music fans, Moore was nonetheless one of the most esteemed guitarists in the British music scene, playing a variety of genres in a career spanning over four decades.<\/span><\/span><span style=\"font-size: small;\"><span style=\"color: #000000;\"><span style=\"font-family: Arial;\">\u00a0 <\/span><\/span><\/span><\/p>\n<p><span style=\"color: #000000;\">Moore<\/span><span style=\"font-size: small;\"><span style=\"color: #000000; font-family: Arial;\">\u00a0 <\/span><span style=\"color: #000000;\">was born on April 4, 1952 to Bobby and Winnie Moore in Belfast, Northern Ireland.<\/span><\/span><span style=\"font-size: small;\"><span style=\"color: #000000; font-family: Arial;\">\u00a0 <\/span><span style=\"color: #000000;\">His first guitar influences included Jimi Hendrix, Eric Clapton and original Fleetwood Mac leader Peter Green.<\/span><\/span><span style=\"font-size: small;\"><span style=\"color: #000000; font-family: Arial;\">\u00a0 <\/span><span style=\"color: #000000;\">Family problems prompted Moore to leave home as a teenager and move to Dublin.<\/span><\/span><span style=\"font-size: small;\"><span style=\"color: #000000; font-family: Arial;\">\u00a0 <\/span><span style=\"color: #000000;\">Here he would form a blues-rock band called Skid Row, which also featured vocalist Phil Lynott.<\/span><\/span><span style=\"font-size: small;\"><span style=\"color: #000000; font-family: Arial;\">\u00a0 <\/span><span style=\"color: #000000;\">Four years later, the two would be reunited, when Moore replaced Eric Bell in Lynott\u2019s up-and-coming band Thin Lizzy.<\/span><\/span><span style=\"font-size: small;\"><span style=\"color: #000000;\"><span style=\"font-family: Arial;\">\u00a0 <\/span><\/span><\/span><\/p>\n<p><span style=\"color: #000000;\">Moore\u2019s first stint with the band would last just one year, but that didn\u2019t matter.<\/span><span style=\"font-size: small;\"><span style=\"color: #000000; font-family: Arial;\">\u00a0 <\/span><span style=\"color: #000000;\">He had a burgeoning solo career going for him, and he did remain friends and co-collaborators with Lynott for most of the \u201870s.<\/span><\/span><span style=\"font-size: small;\"><span style=\"color: #000000; font-family: Arial;\">\u00a0 <\/span><span style=\"color: #000000;\">One of those collaborations was \u201cParisienne Walkways\u201d, a song that gave Moore his first big hit on the UK Singles charts, reaching #8 in 1979.<\/span><\/span><span style=\"font-size: small;\"><span style=\"color: #000000; font-family: Arial;\">\u00a0 <\/span><span style=\"color: #000000;\">During the late \u201870s, Moore was also busy doing session work for artists like Rod Argent and Andrew Lloyd Webber and playing full-time with prog-rock band Colosseum II.<\/span><\/span><span style=\"font-size: small;\"><span style=\"color: #000000;\"><span style=\"font-family: Arial;\">\u00a0 <\/span><\/span><\/span><\/p>\n<p><span style=\"color: #000000;\">Moore would return to Thin Lizzy for a third time in 1978 (he had briefly toured with the band in 1977), but this third stint proved to be the most toxic.<\/span><span style=\"font-size: small;\"><span style=\"color: #000000; font-family: Arial;\">\u00a0 <\/span><span style=\"color: #000000;\">This time, he was replacing Lizzy\u2019s temperamental, hard-drinking guitarist Brian Robertson (the same man he temporarily subbed for in \u201977), but tensions soon began to erupt between Lynott and Moore.<\/span><\/span><span style=\"font-size: small;\"><span style=\"color: #000000; font-family: Arial;\">\u00a0 <\/span><span style=\"color: #000000;\">Disturbed by the increasing drug use and infighting within the band, Moore quit Thin Lizzy for the final time in July 1979, right in the middle of their ongoing American tour.<\/span><\/span><\/p>\n<p><span style=\"color: #000000;\">The \u201880s were still busy for Moore, but most of his albums were now leaning towards the pop-metal sound most popular in that decade.<\/span><span style=\"font-size: small;\"><span style=\"color: #000000; font-family: Arial;\">\u00a0 <\/span><span style=\"color: #000000;\">By 1990, Moore decided to return to what he loved playing the most \u2013 the blues.<\/span><\/span><span style=\"font-size: small;\"><span style=\"color: #000000; font-family: Arial;\">\u00a0 <\/span><span style=\"color: #000000;\">The 1990 album <\/span><\/span><span style=\"font-size: small;\"><em><span style=\"color: #000000; font-family: Arial;\">Still Got the Blues<\/span><\/em><span style=\"color: #000000;\"> finally gave Moore some recognition Stateside as a solo artist \u2013 the title track only peaked at #97 on the Billboard Hot 100, but still remains a staple on classic rock-oriented stations in America.<\/span><\/span><span style=\"font-size: small;\"><span style=\"color: #000000; font-family: Arial;\">\u00a0 <\/span><span style=\"color: #000000;\">Moore would stick to the blues for most of the \u201890s, but did dabble with electronic sounds on his last two albums of the decade, 1997\u2019s <\/span><\/span><span style=\"font-size: small;\"><em><span style=\"color: #000000; font-family: Arial;\">Dark Days in Paradise<\/span><\/em><span style=\"color: #000000;\"> and 1999\u2019s <\/span><\/span><span style=\"font-size: small;\"><em><span style=\"color: #000000; font-family: Arial;\">A Different Beat<\/span><\/em><span style=\"color: #000000;\">.<\/span><\/span><span style=\"font-size: small;\"><span style=\"color: #000000; font-family: Arial;\">\u00a0 <\/span><span style=\"color: #000000;\">His 2001 release <\/span><\/span><span style=\"font-size: small;\"><em><span style=\"color: #000000; font-family: Arial;\">Back to the Blues<\/span><\/em><span style=\"color: #000000;\"> marked a welcome return to the blues, a path he would continue on till his untimely death last year.<\/span><\/span><span style=\"font-size: small;\"><span style=\"color: #000000;\"><span style=\"font-family: Arial;\">\u00a0 <\/span><\/span><\/span><\/p>\n<p><span style=\"color: #000000;\">Despite the frequent genre-hopping, Moore is still best known as one of the United Kingdom\u2019s most talented blues guitarists ever.<\/span><span style=\"font-size: small;\"><span style=\"color: #000000; font-family: Arial;\">\u00a0 <\/span><span style=\"color: #000000;\">It was the blues that got him interested in playing guitar, and at the time of his death, he was firmly rooted in the music he loved so much since his boyhood days.<\/span><\/span><span style=\"font-size: small;\"><span style=\"color: #000000; font-family: Arial;\">\u00a0 <\/span><span style=\"color: #000000;\">Fellow musicians continue to remember him not only as a great musician, but also as a wonderful human being and a true friend.<\/span><\/span><span style=\"font-size: small;\"><span style=\"color: #000000;\"><span style=\"font-family: Arial;\">\u00a0 <\/span><\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>It was a huge shock to blues and rock aficionados alike when Gary Moore passed away on February 6, 2011, following a devastating heart attack.\u00a0 Despite not receiving that much fanfare among American music fans, Moore was nonetheless one of the most esteemed guitarists in the British music scene, playing a variety of genres in [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1432,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"pgc_meta":"","footnotes":""},"categories":[41,6],"tags":[],"_links":{"self":[{"href":"http:\/\/www.thebluesguitarplayer.com\/index.php?rest_route=\/wp\/v2\/posts\/976"}],"collection":[{"href":"http:\/\/www.thebluesguitarplayer.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.thebluesguitarplayer.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.thebluesguitarplayer.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.thebluesguitarplayer.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=976"}],"version-history":[{"count":3,"href":"http:\/\/www.thebluesguitarplayer.com\/index.php?rest_route=\/wp\/v2\/posts\/976\/revisions"}],"predecessor-version":[{"id":979,"href":"http:\/\/www.thebluesguitarplayer.com\/index.php?rest_route=\/wp\/v2\/posts\/976\/revisions\/979"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.thebluesguitarplayer.com\/index.php?rest_route=\/wp\/v2\/media\/1432"}],"wp:attachment":[{"href":"http:\/\/www.thebluesguitarplayer.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=976"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.thebluesguitarplayer.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=976"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.thebluesguitarplayer.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=976"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}